Monday, 17 March 2014

Technique behind epidaurus

Acoustic traps
The corrugations on the surface of the seats act as natural acoustic traps. Though this effect would seem to also remove the low frequencies from the actors' voices, listeners actually fill in the missing portion of the audio spectrum through a phenomenon known as virtual pitch. The human brain reconstructs the missing frequencies, producing the virtual pitch phenomenon, as in listening to someone speaking on a telephone with no low end.
The findings are detailed in the April issue of the Journal of the Acoustics Society of America.
Amazingly, the Greek builders of the theater did not themselves understand the principles that led to the exceptional audibility of sound from the stage.

Attempts to recreate the Epidaurus design never quite matched the original. Later seating arrangements featured other materials, such as wood for the benches, an approach which may have ultimately derailed the design duplication effort.

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